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Will Scott: Journal

New Project: Roosevelt and Ira Lee, with Preacher Boy - August 17, 2007

I recently launched a new project with Preacher Boy called Roosevelt and Ira Lee. We have some live recordings, new photos by Amy Marinelli, and additional information up on MySpace at http://www.myspace.com/rooseveltandiralee
Stop by and have a listen. Here's an intro....

Much like the two characters they've borrowed from the swamps of Tony Joe White's funky imagination for their own musical moniker, Preach and Will were "ponderin' on what they gonna do" one night, when they stumbled smack dab into the idea for Roosevelt & Ira Lee. Two voices, two guitars, two songwriters, one sound. One deep, rough, wild, swampy sound, drawing on two lifetimes worth of immersion in Country Blues, Delta Blues, Folk Blues, Chicago Blues, Roots & Blues, Soul Blues, Jazz Blues, Bluegrass, and all the good and groovy sounding things brewed up in the holy mojo night of Blues America.

This is Roosevelt & Ira Lee, the musical offspring of Christopher "Preacher Boy" Watkins and Will Scott, two singer-songwriter musicianers whose roots run deep, and are deeply intertwined. Between them they’ve released 6 albums, 2 EPs, received 1 Gold Record, played in 17 countries around the world and in nearly every state in the U.S. They have garnered critical acclaim from the likes of Rolling Stone, Blues Revue, The New York Press, Sing Out!, Mojo, Melody Maker, Blues Access, and more. Their songs, both together and independently, have been featured in multiple films, on many compilations, and have been covered by numerous other artists.

If you like your Blues to sound like a mash of Tony Joe White, Captain Beefheart, Son House, Johnny Shines, Tom Waits, Chris Whitley, Bukka White, Junior Kimbrough, Dave Van Ronk, Kelly Joe Phelps, Skip James, Blind Willie Johnson, Dr. John, John Hammond, Howlin' Wolf, R.L. Burnside, Bob Dylan, The Band, Wilson Picket, Otis Redding, Townes Van Zandt, Taj Mahal, Robert Pete Williams, Fred McDowell, Muddy Waters, Sam & Dave, Ray Charles, and Charley Patton, then turn up the heat on the pot-still and prepare to get your ears sloppy drunk on a bonded bottle of Roosevelt & Ira Lee.

Louisiana Lullaby on new Kill Buffalo Records compilation - July 18, 2007

Louisiana Lullaby has been selected for inclusion on an upcoming compilation of noteable New York artists with country influences. The record is being planned and released by Kill Buffalo Records.

Other artists on the compilation include:

Jan Bell
Jack Grace
Demolition String Band
Yarn
Earl Pickens
The Roadside Graves

Kill Buffalo is working hard as an indie label; and I'm excited to be part of this project. I'll post when the record is available.

Website redesign work - July 14, 2007

The redesign of this site presently in test form, but the show schedule and basic information is up to date. Thanks for your patience while we get everything in order. If you are having trouble finding any needed information, please visit www.myspace.com/willscottmusic

Young Dancer Benefit Show - June 8, 2007

I will be performing as part of a benefit for the education of young dancers on June 25. Many of you know of my recent collaboration with the "Paradise Strategies" dance project by Fiona Marcotty-Dolenga. It was quite inspiring and I am glad to continue to work in that scene to help these young artists develop their talents. The benefit will help two bright young dancers attend the American ballet theater summer program. The dancers are Larissa (15 y.o.) and Elias (11). They have already performed at the NJ ballet, Paper Mill Playhouse, and at The Met, among other venues. They are on their way, but need some scratch to continue their education. I hope y'all can make it out for this special night. Performers will include Jan Bell, Paranoid Larry (who was recently published in Sing Out Magazine), and myself. Details are below.

THE BALLET BENEFIT!
An evening of original roots, blues and americana

A benefit for the young baseman dancers fund
Mon. June 25th 7:30 pm
68 Jay st. Bar DUMBO B/klyn

Featuring
Jan Bell
http://www.myspace.com/janbell
Will Scott
http://www.willscottmusic.com/
Paranoid Larry and his imaginary Band
http://www.paranoidlarry.com/

$5 suggested donation

To donate, or for more info. visit
The Young Baseman Dancers fund page @
http://www.oliviabaseman.com/files/L_R_Flyer2.pdf
Produced in association with the Basement Salon Colective

Links Project--Poetry, Art, Music - June 1, 2007

Links Multi-Media Art/Writing/Music Project
I was honored to be included recently in Links: A Multi-Media Collaboration Featuring One Poet Eight Visual Artists and Thirteen Musicians. The exhibition, which opened to a great reception on May 25 at Roanoke Vinyards, featured twenty-two artists, and songwriters working in relation to a series of Haiku by renowned poet and songwriter, Christopher "Preacher Boy" Watkins.


Each musician was asked to record a rough demo of a song written based on their initial reaction to the poem provided. While, on one hand, addressing the similarities between Blues and Haiku forms, the project also set out to explore inspirational transactions between artists of various genres beyond the simple borrowing of structures.

The recording is rough, but here is a link to the blues song I wrote for the project in response to The Eulogy for a Chicken About to Die Haiku Blues. The poem is below as well.

Ain't Gonna Rain, written in response to The Eulogy for a Chicken About to Die Haiku Blues, by Christopher "Preacher Boy" Watkins, (c) 2007.

Ain't Gonna Rain Lyrics (c) 2007, Will Scott (BMI)

Weeds had grown up high
Sun was setting slow
Early in the evening
April 24
The sheriff came to tell me, son
You can't live this life anymore

Guilty was my solemn pledge
Guilty I was found
Jesus judge and jury
They passed my sentence down
Now the sun is passing over
Barbed wire, round and round

Those honest fields my brother worked
For a wages like a fine
They killed him on the road one night
Just for a piece of mind
All I've ever known of justice
Was that someday I'd get mine

I ran spirits to the pastor's house
The mayor he liked wine
The judge he liked his women
Just the same way I like mine
But, when the rich man gets called
Its the poor man on the line

Ain't gonna rain
Ain't gonna rain
The bluebird sings what the jaybird knows
Ain't gonna rain
Ain't gonna rain
Ain't gonna rain no more

If you see my mother praying
Tell her my time ain't long
If you see my father working
Tell him from his son
He can plow that field til Judgement come
still it won't be done

If you see my sister
Tell her I miss her still
And go and tell my brother he don't
Have to place no till
I didn't have to bend my back for nobody
And I never will

Ain't gonna rain
Ain't gonna rain
The bluebird sings what the jaybird knows
Ain't gonna rain
Ain't gonna rain
Ain't gonna rain no more

Back from Mexico, Recording Continued - April 21, 2007

Just got back from San Diego and Baja where, after a workout in fractured Spanish, we were able to get one of the better local mariachi bands to play something other than the standard tourist fare of Elvis, La Bamba, and the two Mexican songs all tourist know. I think they must have enjoyed being asked for something older because they performed it with such heart that I almost began to feel sympathy for the $7 Puerto Nuevo lobsters being cracked open at the next table... almost.

The trip was lovely, a good mix of business and pleasure. We were working with artist, Luis Ituarte, to set up art-world gigs in Tijuana. The shows didn't work out this time, but Jan and I have been offered a show at La Casa del Tunel, an art project space addressing border issues between the U.S. and Mexico, next time we're out that way.

My friend, C. Gibbs is from the San Diego area. That may have been why I found myself singing a number of his songs driving down there. Or, maybe it is because Parade of Small Horses is a perfect road trip album. If you don't know his music, check out C. Gibbs here on myspace. Then buy the record and put it in your roadtrip emergency kit.

Before leaving Brooklyn, I finished tracking bass for the next record at Mark Dann Studio in Manhattan. Rich Lamb ("kermit") engineered the session. Jim "sinnaman" Whitney played the upright like his salvation depended on it. Preach produced with brilliant vision and direction. The tracks are inspired. I almost hesitate to put vocals over all this great music... almost. Actually, I can't wait to start singing to them. I just hope I do 'em justice. We're planning to be back in the studio in the next few weeks for vocal and other instruments. I'll keep you posted...

Thank you all so much for your friendship and support.

All of my best wishes,

Will
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